Saturday, October 9, 2010

Interview with author Sandy Hyatte-James / Parallel Triangle




British author Sandy Hyatt-James has two books published. Parallel Triangle, a science-fiction romance featuring parallel worlds, is available through Penumbra Publishing. Leslie Dyer, sales and promotion representative for Penumbra Publishing, recently asked Sandy about her life and her writing.

PP: Sandy, how long have you been writing, and was there an inspirational source or defining event that got you started?

SHJ: I started writing after entering a short story competition at school and winning. From then onwards, I wanted to write all the time. I did, as well, much to the annoyance of my mathematics teacher! My most memorable inspirational source was Gone With the Wind, which I read as a teenager. The fact that hat the love interest was set in a rich backdrop of the American Civil War impressed me so much. From then on, I wanted to create romance without neglecting the wider picture, because the two complimented each other.

PP: Parallel Triangle deals with a love triangle – two women who both love the same man. How did you choose this storyline, and how popular do you think it is with the typical romance reader?

SHJ: At this moment, the trend seems to lean towards vampires or stories that contain graphic sex. The love triangle, however, has been around since writing first began. It’s a theme that never really went out of fashion, because it facilitates a unique tension that makes the reader what to keep turning the pages.

PP: Parallel Triangle features two strong heroines. Did you have trouble balancing the story – especially given that each of them is a love interest of the hero?

SHJ: No, I found it an interesting change from the ‘one man one woman’ model. Parallel Triangle has a different take on the triangle theme anyway, which usually features the man being in a relationship with someone else, until the heroine comes along and steals him, or vice-versa. In this case, Orion meets both Elizabeth and Jacosta at the same time and, due to circumstances, develops a relationship with each of them nearly simultaneously.

PP: One of your heroines, Elizabeth, is described as plain-looking, and the other heroine, Jacosta, is described as ravishingly beautiful. Is there any particular reason you wrote these characters that way?

SHJ: Yes. I wanted to illustrate that a man like Orion, who has the pick of women, wasn’t looking for beauty in them; otherwise, he wouldn’t have fallen for Elizabeth. The fact that he also falls in love with Jacosta, who is beautiful, is very much beside the point. What he sees in both women is their inner attraction.

PP: Your hero, Orion, comes across as an anti-hero in the beginning. Why is that?

SHJ: This posed problems for me at first, because he really is dislikeable, isn’t he? However, quite early on in the story, the reader begins to see that this is only on the surface. I wanted to get away from ‘perfect’ hero anyway, because life just isn’t like that. Everybody has flaws. Once that’s accepted, it becomes more interesting to see how Orion redeems himself.

PP: Your story puts some focus on a child abduction, with the child being placed in a dangerous situation. Was there a particular source or impetus for including this issue in your story? And, were you concerned that this subject might bother some readers?

SHJ: This posed another dilemma for me. Again, though, I wanted to show reality, especially in a story with a paranormal thread. It would have been easy to keep the horror of child abduction out of the story and focus solely on the love interest between the three characters. However, Elizabeth is from Earth, a place where child abductions happen frequently. This part of the storyline, therefore, apart from being the vehicle that puts Elizabeth in proximity with Orion, also gives a real perspective to the story.

PP: One of your support characters has learning difficulties. Why did you choose to include him in the story?

SHJ: When I was in the social work profession, I occasionally came across people like Ricky – adults who were essentially children in their minds and needed guidance. As with a child, I wanted to show his innocence and, importantly, illustrate how his lack of guile brought about his being involved with Kim Barton’s kidnapping scheme. Like most children, Ricky has an innate sense of right and wrong. This surfaces in him from time to time, which I believe makes him an important background character.

PP: Parallel Triangle has a science-fiction/paranormal theme. Do you read these genres?

SHJ: To the amusement of my family and friends, I’ve never shown much interest in those genres. It bothered me at first that people might look at these categories and think the book contained weird creatures or futuristic cyber people – which it doesn’t. Essentially, Parallel Triangle is a love story, which just happens to have a smattering of science fiction and paranormal in it.

PP: Can you tell us a bit about your background and living environment, and whether that has had some impact on your writing?

SHJ: Four years ago, I managed a team of child protection social workers. This meant I was dashing about, usually meeting my own shadow coming the other way! There wasn’t much time for anything else. However, when I did get some time, I usually spent it writing. My husband and I came to live in the Bulgarian mountains because we love its peace and rugged beauty. It also meant that I could write full-time. I think my experience as a social worker has impacted my writing. Through it, I met so many people from all areas of life – some nice, some not so nice. I believe this has helped me give authenticity to my characters.

PP: What other books do you have available, and what are you working on now?

SHJ: My third novel is a futuristic romance. I’ve just finished the first draft and I expect it to be out some time next year. After that, I may change genre, because I don’t want to become my writing to become formulaic.

PP: How may readers find out more about you and your books? How may they contact you?

SHJ: They can visit my web site at http://www.sandyhyatt-james.yolasite.com/ and contact me on: sandyhyattjames@gmail.com. I would be happy to hear from them and answer and questions.

PP: Do you have any other information or comments you’d like to share?

SHJ: Just that I hope Parallel Triangle gives as much pleasure to the reader as I’ve had in writing it.

PP: Thank you, Sandy, for taking the time to provide us with this detailed look at your work.

Monday, October 4, 2010

Book 4 of America's Galactic Foreign Legion available


DEMILITARIZED ZONE, Book 4 of Walter Knight's sci-fi military humorous series AMERICA'S GALACTIC FOREIGN LEGION is now available on Kindle at Amazon...

CLICK HERE TO VIEW/BUY

and in multiple ebook formats at Smashwords.com...

CLICK HERE TO VIEW/BUY

Friday, September 17, 2010

Part 2 Author Interview with Blood & Sunlight's Jamie Wasserman

Valencia Wood of Ellicott City Patch Blog continues her interview with Jamie Wasserman, author of Blood and Sunlight, the vampire romance thriller...

Patch: When we last spoke, you were talking about your writing journey and background. Please continue with that conversation.

Jamie: I take a little heart in that I'm told Stephen King writes in much the same manner. There is a bittersweet story he relates in his memoirs about a dying woman who wanted to know how the Dark Tower series would end. Sadly, she wouldn't be around to read it. King told her that he didn't know himself, that the story was creating itself as it went along.

To see the entire interview, visit http://ellicottcity.patch.com/articles/part-2-the-art-of-writing

Wednesday, September 8, 2010

Author Interview with Jamie Wasserman, Blood and Sunlight

Valencia Wood, columnist at the Ellicott City Patch blog has posted a great interview with Blood and Sunlight author Jamie Wasserman. She writes, "In this twisted tale by first-time novelist Jamie Wasserman, Ellicott City is the hometown of Melanie, a waitress and college drop out; [ ] the local sheriff; and Lucas, Melanie's [would-be] boyfriend. With plenty of small-town gossip and drama, Wasserman pushes the theme of vampires, fantasy and fairytales made popular by Stephenie Meyer's Twilight series into a harsher reality."


To see the whole interview, click here!

Wednesday, August 18, 2010

Barnes and Noble for sale...

Wow, talk about serendipitous, we just posted a blog about getting books on Barnes and Noble shelves, and later today find Barnes and Noble won't have any shelves soon!

http://finance.yahoo.com/career-work/article/110381/clearance-sale-barnes-noble-didnt-evolve-enough?mod=career-leadership

Authors ask, "Why isn't my book on the shelves at Barnes & Noble?"

For all you authors self-published or published by small independent publishers, who are wondering why Barnes and Noble bookstores don't put your print book on their shelves, here's the (probable) reason. It is a little-known secret that we feel is necessary to expose and explain.

Our goal in doing so, in part, is to help put a stop to all the naysayers who claim that print-on-demand books are inferior and come from self-published authors who do a poor job of publishing their own books, or from publishers who are just out to scam authors. This claim of course is not true of all self-published authors or all independent publishers.

Some authors go to great lengths to make their books the best they can be. They hire professional editors and cover artists to package their manuscript in a printed format that is both pleasing and worthy of reading. The same holds true for many independent publishers. (And by 'independent' we mean publishers who are not a huge corporate entity like Random House for instance.) But there are vanity and subsidy publishers who charge all their authors for publishing services, with plans to make money entirely off the authors instead of sales of the books to readers.

That IS NOT how legitimate publishers operate. Any small publisher can be legitimate by choosing books to publish they consider well-written and marketable. These publishers might not have the force of a huge corporation behind them, but they are nevertheless legitimate publishers who will publish your book at their expense and do what they can to help sell your book in exchange for a percentage of earnings from those sales. You just have to look carefully to make sure you find one of these legitimate publishers that is suitable to handle your book.

Now, back to the Barnes and Noble question. (By the way, this information is available on the bookseller's web site, but we are broadcasting the major points to answer this question for the benefit of authors everywhere.) It is a complicated explanation, so bear with us...

CORPORATE WAREHOUSING. Barnes and Noble warehouses all the books that can be ordered by their individual bookstores. B&N Corporate chooses which books to warehouse from the 'books in print' catalog that comes out every 180 days, or approximately every six months. Books get into the 'books in print' catalog by being assigned an ISBN and having the 'metadata' for the book (ISBN, title, author, cover image, retail price, etc.) sent to the ISBN gatekeeper, Bowker. A self-published author can either purchase an ISBN from Bowker or use an ISBN furnished by a self-service book printer like Lulu or Createspace. Depending on when the book becomes available in print and when the 'books in print' catalog comes out, it could take up to six months for a book to end up in the 'books in print' catalog.

BOOKLAND BARCODE. Barnes and Noble requires a 'Bookland' barcode on the book that is a UPC barcode for the ISBN plus the retail price of the book. If the retail price is not included on the barcode, then the book will not be considered for B&N's warehousing. Specific print-on-demand printers like Createspace DO NOT give the option of including the retail price in the barcode. In this case, B&N suggests the publisher go to a barcode provider and get stickers printed with the ISBN plus retail price, to be affixed to books before they will be ordered by B&N for warehousing.

STORE RETURNS. Barnes and Noble requires that the publisher or whatever distributor the publisher uses accept returns in case books ordered by bookstores do not sell within a given period of time. The books are then sent back to the publisher/distributor at the expense of the publisher/distributor. In the case of large publishers, books are remaindered (destroyed). Because POD printing is predicated on the idea that the book shall not be put into printed form until the book is ordered (paid for), printers like Createspace do not accept returns. If a publisher wanted to be able to accept returns, the publisher would then have to become his own distributor and order a short run of books to be available for ordering. In that case, the publisher would have to warehouse his own POD books IN CASE they might get ordered by B&N for warehousing - which totally defeats the purpose of POD and the impact on the environment. So, if you use a self-service printer like Lulu or Createspace, you're going to have to order your own books, pay for shipping, warehouse your books, then hope they get ordered by B&N - with the understanding there's no guarantee they ever will get ordered.

QUALITY CHECK. Last but not least, Barnes and Noble requires a catalog from each publisher who wants to be considered a 'vendor of record' - a book distributor where B&N can order books for their central warehouse. For individual self-published books, B&N Corporate will consider books on an individual basis. If they don't meet all the criteria above, plus pass B&N's idea of minimum quality, they won't be accepted for warehousing.

There are some various other requirements, but these are the major ones that stop most small publishers and self-publishers from getting their books onto Barnes and Noble bookstore shelves. This of course does not keep the books from being sold through B&N's online retail bookstore. But it does keep them off the already overcrowded shelves of physical bookstores.

Deciding to absorb all the expense and headaches involved in trying to get a book onto the shelf of a Barnes and Noble bookstore suddenly doesn't look like a winning proposition. Instead it looks like a recipe for losing money quickly.

And that, author friends, is why your book isn't on a bookstore shelf.